室内声学与混响时间
混响时间计算、室内声学原理和推荐的 RT60 值。
roomacousticsreverberation
概述
混响时间 (RT60) 是声源在封闭空间内停止后声压级衰减 60 dB 所需的时间。它是房间声学中最重要的指标,影响语言清晰度、音乐清晰度和噪音舒适度。适当的 RT60 取决于房间体积、表面材料和预期用途。
关键公式
赛宾混响时间
将混响时间与房间体积和总吸声量关联的基础方程。
当平均吸声系数不大于约 0.35 时,赛宾公式对普通房间给出良好结果。对于平均吸声系数大于 0.35 的房间,首选艾林方程,因为对数形式能更好地表示强吸声空间。
艾林混响时间
对于具有高吸声表面、平均吸声系数接近 1 的房间更准确。
总吸声量
总吸声赛宾等于每个表面积乘以其在关注频率下的吸声系数之和。
房间轴向模式频率
矩形房间内的共振驻波频率,其中 为非负整数。
变量
| 符号 | 说明 | 单位 |
|---|---|---|
| Reverberation time | s | |
| Room volume | m³ | |
| Total absorption | m² Sabins | |
| Total surface area | m² | |
| Absorption coefficient | 无量纲 | |
| Average absorption coefficient | 无量纲 | |
| Frequency | Hz | |
| Speed of sound | m/s | |
| Room dimensions | m | |
| Mode indices | integer |
Absorption Coefficients by Material
10 行
材料 / Surface | |||
|---|---|---|---|
| Brick, unglazed | 0.03 | 0.03 | 0.04 |
| Concrete block, painted | 0.1 | 0.05 | 0.06 |
| Glass, window | 0.35 | 0.18 | 0.07 |
| Plaster on masonry | 0.02 | 0.02 | 0.03 |
| Wood floor on joists | 0.15 | 0.07 | 0.06 |
| Carpet on concrete | 0.02 | 0.06 | 0.2 |
| Heavy curtain draped | 0.07 | 0.35 | 0.55 |
| Acoustic ceiling tile | 0.25 | 0.7 | 0.75 |
| Audience (per seat) | 0.35 | 0.55 | 0.6 |
| Open window (100%) | 1 | 1 | 1 |
来源: engineeringtoolbox.com
Recommended Reverberation Times
8 行
典型 体积 (m³) | (s) | |
|---|---|---|
| Recording / broadcast studio | 150 | 0.2 – 0.4 |
| Classroom | 300 | 0.4 – 0.6 |
| Conference room | 200 | 0.4 – 0.7 |
| Office (open plan) | 500 | 0.5 – 0.8 |
| Small lecture hall | 1500 | 0.6 – 1.0 |
| Theater / drama | 5000 | 1.0 – 1.4 |
| Symphony concert hall | 15000 | 1.6 – 2.2 |
| Church / cathedral | 10000 | 2.0 – 4.0 |
来源: engineeringtoolbox.com
Calculators
Sabine Reverberation Time
Absorption from Materials
Add 吸收 (Sabins)
单位换算器
Room 声学 单位 转换器
RT60 vs Total Absorption
Sabine RT60 vs Total 吸收 for Different Room 体积s
Design Notes
- Frequency dependence. Absorption coefficients vary significantly with frequency. Always evaluate RT60 across the 125 Hz – 4 kHz octave bands, not just at a single frequency.
- Sabine vs Eyring. Use Sabine for typical rooms with . Switch to Eyring for heavily treated rooms, anechoic spaces, or when exceeds roughly 0.3, as Sabine overestimates absorption at high coefficients.
- Audience and furniture. Unoccupied RT60 can be 20–40 % longer than occupied. Design for the occupied condition and verify that the empty condition remains tolerable.
- Air absorption. At frequencies above 2 kHz and in very large volumes (auditoria, sports halls), molecular air absorption becomes a meaningful additional decay mechanism and is not captured by the Sabine formula.
- Flutter echoes and focusing. Large parallel reflective surfaces or concave walls can produce discrete echoes and focusing even when RT60 is nominally correct. Geometry matters alongside material treatment.
- Room modes. In small rooms (studios, control rooms), low-frequency modes create pronounced peaks and nulls. Mode spacing should be analyzed; widely spaced modes below 300 Hz cause audible coloration.
还原的原始源表
以下表格还原自原始来源页面,以保留完整的参考数据。
Sound - Reverberation Time
3 行
Room 体积 (m3) | |||
|---|---|---|---|
| 10000 | 1 | 1.5 | 2 |
| 1000 | 0.8 | 1.3 | 1.6 |
| 100 | 0.6 | 1.1 | 1.2 |
来源: engineeringtoolbox.com